Category: Color

Fujifilm Profiles

Fujifilm Profiles

Recently while watching a webinar on Capture One Pro one of the attendees wished that he could adjust the order that the Fujifilm Simulations were listed when selecting the profile to use on an image.

The reasoning was that he wasn’t sure which simulation was the one he wanted to use on an image. I didn’t see a real need as I only use a couple of them and it easy just mouse over each simulation to see what it does to the image.

Given that the Auto simulation is the simulation that you have set in you Fujifilm camera, I rarely find that I need to look at more than two other simulations. In camera I tend to use STD which is PROVIA (STANDARD). The more I thought about it the more I realized that my default simulation works a lot of the time. What I did realize is that I change most when there is a lot of sky or no sky. When the sky make a big part of the image i tend to use CLASSIC CHROME while if there is little or no sky, I tend to stay with PROVIA or if the image calls for it I will crank it up with Velvia see previous post about that. Now on big sky images it is mostly personal preference but I tend to use CLASSIC CHROME for its more muted blues (with a hint of green) but if the sky isn’t necessarly the subject I’ll probably use PROVIA.


What I have found is that I’ve come to know the simulations by how they treat the blue parts of the image:

  • Classic Chrome is a more muted blue with a slightly green tint.
  • Standard has a nice rich blue without going overboard.
  • Velvia has a saturated blue with a slightly purple tint.

So as I look at the image I can decide on which simulation based on what I want the blue to do in the image. Then go right to simulation I want.

Classic Chrome
Provia (STD)
Velvia (VIVID)

It takes some time to get used to what each simulation does to colors and contrast but once you do you can quickly dial in what you want. The same thing works for the black and white simulations (although those are all right together). If you want a dark sky go with the Red filter.

Contemporary at Sunset

Contemporary at Sunset

Contemporary at Sunset : Fujifilm X-T2, F3.6 1/40s ISO 3200 18.8mm

Having raved on about color balance in the previous post, i’ve come full circle with this image. After the usual Florida afternoon storm the sunset the other day had plenty of clouds to reflect of off before getting to the Contemporary Resort at Walt Disney World. To pick up the warm tones on the building I let the fluorescent lights keep their green cast. The color cast may have been enhanced by shooting through a window .

Today my mindset is on what the image looks like rather than what camera and lens was used. How the images was processes should not be an issue either. I present the image as it is. And it is an image I like more and more.

Still if you must know it was originally processed in Capture One Pro 20 then sent to Photoshop where I applied Nik 3.0 Color Efex Pro 4 Detail Extractor, Glamor Glow, and Pro Contrast. I also did some noise reduction with Nik 3.0 Define 2.

I shot the image with the Fujinon XF18-55mmF2.8-4 R LM OIS kit lens. A really good lens for a “kit” lens.

Color Balances

Color Balances

They painted the castle in The Magic Kingdom at Walt Disney World. I’m not a big fan of the paint colors. The colors they ended up with just seem to be out of balance for me. They have a saturated purple for the turrets, and saturated grey for the base, and then an almost pink but not quite color on the body of the castle. It’s mostly the pink that I find unbalanced. The purple and pink almost fit into a Triadic color scheme but doesn’t quite work as there should be a green with those two colors to make it Triadic.

Castle with Very Small Dragon Fujifilm X-T2 F9 1/280s ISO 200 18mm

When you are creating an image in studio and especially with model you have lots of leeway with you color grading. When you are documenting an place that is designed to be seen with a standard color you need to be more accurate with you color representation. You can go wrong if you push the white balance the wrong way or if you over saturate the colors. This building just seems to me to be out of balance from a color standpoint.

Spires Fujifilm X-T2 F8 1/750s ISO 200 18mm

I could make the pinkish color more pink and at a good saturation but with Capture One Color Editor but it wouldn’t be true to the actual colors and that is where I feel the actual building colors are out of balance. And you can’t go around overriding the Disney experts.

As I was doing some research into the colors I decided to look to see what the colors of Sleeping Beauty’s Castle at Disneyland are. They basically just duplicated what they had before in Anaheim, CA It seems that the colors were painted with about the same pallet they used to upgrade the castle in 2019. The difference is the pinks are much more pink. Maybe something got lost in translation.

The new color scheme to me is to dark. It diminishes the scale of the castle. Something you always need to keep mind as you process your color images. just as a image with a tilted horizon is out of balance, a color scheme can be out of balance too. For good instruction on color and color grading watch this video by Joanna Kustra

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