Fujifilm Profiles

Recently while watching a webinar on Capture One Pro one of the attendees wished that he could adjust the order that the Fujifilm Simulations were listed when selecting the profile to use on an image.

The reasoning was that he wasn’t sure which simulation was the one he wanted to use on an image. I didn’t see a real need as I only use a couple of them and it easy just mouse over each simulation to see what it does to the image.

Given that the Auto simulation is the simulation that you have set in you Fujifilm camera, I rarely find that I need to look at more than two other simulations. In camera I tend to use STD which is PROVIA (STANDARD). The more I thought about it the more I realized that my default simulation works a lot of the time. What I did realize is that I change most when there is a lot of sky or no sky. When the sky make a big part of the image i tend to use CLASSIC CHROME while if there is little or no sky, I tend to stay with PROVIA or if the image calls for it I will crank it up with Velvia see previous post about that. Now on big sky images it is mostly personal preference but I tend to use CLASSIC CHROME for its more muted blues (with a hint of green) but if the sky isn’t necessarly the subject I’ll probably use PROVIA.


What I have found is that I’ve come to know the simulations by how they treat the blue parts of the image:

  • Classic Chrome is a more muted blue with a slightly green tint.
  • Standard has a nice rich blue without going overboard.
  • Velvia has a saturated blue with a slightly purple tint.

So as I look at the image I can decide on which simulation based on what I want the blue to do in the image. Then go right to simulation I want.

Classic Chrome
Provia (STD)
Velvia (VIVID)

It takes some time to get used to what each simulation does to colors and contrast but once you do you can quickly dial in what you want. The same thing works for the black and white simulations (although those are all right together). If you want a dark sky go with the Red filter.

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