The first rule to apply when shooting urban images is from the great Jay Maisel . Jay aways says don’t include signs in your images if you don’t want people to read them. The eye naturally goes to the words in an image and may detract from the image’s story. Which is not to say that you should never shoot an image with a sign in it.
Just make sure that the sign is the story you are telling.
Shot with Fujifilm X-T2 and Fujinon XF50-140mm F2.i R LM OIS WR at Amazon
This is an image I shot on my recent vacation. In this shot I was able to visualize the outcome before I even framed it up in the camera. I knew what I wanted to capture and was able to get the result I was looking for. The Mrs and I were sampling a bit of Merlot in the Italy Pavillon at Epcot in Walt Disney World.
I saw the shadow on the wall which show the lighter areas of the sun passing through the glass of the lamp. I liked the tonality. I shot a couple of shots and this was the one that best matched what I was seeing.
Emotionally I think the image has impact. The balance was good and the colors match what I saw as I was sitting there.
Afterwards I was thinking about photographic rules and which one I had followed and the ones I broke. I shot this about 1pm on a crystal clear day. It wasn’t about waiting for better light as the light I has was perfect to creating the shadow of the lamp. I think I may have got the rule of thirds about right as the lamp itself was in the upper right third while the shadow was in the lower left.
If all you can say about an image you took is that “I Nailed the rule of thirds” that rule probably doesn’t matter. What really matters that the image tells the story. In this case it did for me.
Shot with Fujifilm X-T2 Fujinon XF 16-55mm F2.8 R LM WR
ISO 200 F11 1/600sec 42.7mm
On a bit of a holiday (with a great view) I tried a panorama out the window. For some reason Lightroom could not produce a result with the four images that I shot. I think it might have something to do with the monorail moving in the middle two shots. I was able to get Photoshop to stitch the images together when passed from Lightroom using “Merge to Panorama In Photoshop”. Which hints that there is a fundamental difference in the engines for building panoramas in the two programs.
You always need to experiment and push the boundaries otherwise you don’t learn stuff.
Shot with Fujifilm X-T2 Fujinon XF 16-55mm F2.8 R LM WR
ISO 200 F8 1/300
This is an image I took with my 24mp camera. It’s an OK 6000×4000 pixel image. A bit out of balance and busy. But if you look at the right most flower there are some colors and textures that caught my eye. So I cropped the image to about 2500 x 2500.
I like the way this image came out.
I never saw this as something I would print big. So this image is basically just for output to jpeg for the web. The export from Lightroom is 1600 x 1600 pixels. It really doesn’t lose anything as we went dow from a 24 megabyte file to a 1.2 megabyte file. We really don’t need really big megabyte files as we end up throwing away a lot of the resolution was we reduce the output to a manageable file.
Granted I should have seen the potential of the single flower and cropped in camera. All in all we seem to throw away a lot of power of the high gain image makers. So the Myth of the Megapixel is just that, a Myth. Or we can get more into making prints where we can used all those megapixels.
Shot with Fujifilm X-T2 Fujinon XF 16-55mm F2.8 R LM WR
ISO 200 F11 1/250
There is so much good to viewing other people work but there is caveats in that statement as you need some sort of filter as to what is good work to view. I’ve found one of the best places to see work that has merit is the Photo+ blog PDN Photo of the Day. I’ve just gone through a number of the past photographers of the day and got inspired.
When I look at others work I see the things that I need to focus on in my own imagery. Take for instance Nancy Baron’s Palm Springs>The Good Life Goes On. I notice her use of color and there is nothing in the images that she doesn’t want to be there. There is a wonderful sense of stillness to her image. It’s not that I want to get on the next bus for Palm Springs so I can duplicate those images. It’s the inspiration to focus on making images that have meaning and story. Time to get to work.
I ordered my Fujifilm X-T2 the day it was announced last July and was shipped one of the first units on September 8th (thanks B&H Photovideo). I thought I would write up a fancy review for my new gear but I realized that I couldn’t be objective in that I’m not a reviewer, I’m an owner. I’m on my third Fujifilm camera in the last 2 years.
So as an X-T1 user and lover was the update to the X-T2 worth it? Of course it was although I do have some thoughts on if you should upgrade too that i’m keeping to the end just to keep you in suspenders.
So in the meantime here are my thoughts on the upgrade to the X-T2.
Sensor – I am happy to report that the larger sensor does not lose any of the qualities that the previous 16mp sensors possessed. As expected the detail is better because there are ½ again as many pixels. Because the new sensor has the same footprint (APS-C) as the previous ones a little care must used in hand holding the cameras just like other higher megapixel cameras which will pick up every little vibration. It’s just the nature of the beast. The X-Trans III process is also very good. Having the additional film profiles for ACROS really completes the X-Trans . The X-T1 Monochrome profiles were OK but pretty generic. Those profiles are still present along with the new ACROS profiles. I’m not much of black and white shooter but the ACROS film simulations are so pretty.
ISO – For the most part I’m using Auto ISO when shooting. I have my max ISO set at 3200 with a minimum shutter speed of 1/125 second. I’m not a big proponent of usIng high ISO’s on any camera. Other than photojournalism or bad selfies at a dimly lit party I think there are few real excuses for using really high ISO. That being said i’ve had a pretty good experience shooting the Disney Christmas parade handheld at ISO 6400 although the best picture I got shows that I could have lowered the ISO as the shutter speed ended up at 1/300 of a second. Any noise presented can be cleaned up easily by your standard off the shelf software.
Joystick – The joystick is the thing that you didn’t know you needed until you get one. Like a lot of photographers I would keep the focus at the center of the image. I would then set focus and move the camera for the composition. The problem with this focus strategy there is a chance (in my case, a good chance) that moving the camera even a little bit changes where the focus lies. On the X-T1 I did move the function button to display the focus grid to the bottom d-pad button so that it was easier to move the focus point. Still it was awkward. Now with the Joystick if find moving the focus point much easier and I am more likely to move the focus point rather than the camera. That being said I am a left eye shooter and occasionally my nose does get in the way of the joystick.
Dials and Buttons – I guess I just got used to how the dials on top of the camera worked on the X-T1 and I occasionally get things backwards when adjusting the ISO and Shutter speed buttons. I’ve started to come around but once in awhile I push the buttons when I don’t need to and it causes a bit of a stumble when changing stuff. Moving the video function to the drive dial was a master stroke. I never did have issues with the buttons on the pad and I’m not having any issues on the X-T2. I have one problem in that I can not figure out how to do back button focus on the X-T2. I may have to get out the manual.
Movies – I have not done any movies on either the X-T1 or X-T2 so I can’t really compare the movie making abilities of either camera.
Upgrade– As to if you should/need to upgrade to the X-T2 if you have the X-T1 the answer is yes but with an if. If you already have the premium lenses, the XF 16-55 and or the XF 50-140 and maybe the XF 56mm and the XF 90mm then by all means do the upgrade. You images will only get better. If you can only afford to upgrade lens or camera get the better glass first. The image quality of Fujifilm red badged lenses is so good that you can work magic with the 16mp of the X-T1. If you are doing movies or have the good lenses already then the next logical step is the X-T2.
To the “give me a 50mm or 23mm or 85mm prime” crowd. I present the following image where having a fast prime is not the best way to go. Fast feet and a zoom lens do have their place.
Fujifilm X-T1 with XF18-135mmF3.5-5.6 R LM OIS WR lens. Zoomed to 98.5mm or 147.74mm cropped sensor (I can’t make that up).
I’m really conflicted by Instagram. Everyone says as a photographer you need to be on Instagram for the exposure and that is probably true. The problem is that Instagram doesn’t make it easy as a photographer to post pictures and once posted Instagram’s interface leaves a lot to be desired. If you are using Instagram as a portfolio you need to have absolute control of the image before it is posted.
First off is getting your images to Instagram. Unless you take your images directly on your phone and do all your post processing there you have to jump thru hoops to get you images published. If I have a choice between processing an image on a profiled 27″ monitor or a smart phone screen I will pick the monitor 100% of the time. My workflow for getting a image on to Instagram is as follows.
This will bring up the image in Instagram. You can then change the crop from square to correct aspect ratio for the image. You can also apply one of the Instagram filters although I can’t see any reason for changing the image that you have already processed. Then add your caption and post.
While this will get your images into Instagram there are a number of things about Instagram’s interface that still bug me. Like the fact there is no way to quickly get back to the top once you’ve scrolled down through the stream of images from the people you follow. On the web based Instagram you normally can click on the header of a page for a refresh but not with Instagram. You can not zoom into an image to get detailed look. On the iPad/Nexus 7 you can only view the images in portrait mode which means an iPad with a keyboard attached makes it very hard to enter text for captions as you have to sort of tilt your head to see what you’ve written or try to type accordion style with one hand on the keyboard. And on the iPad you can look at the images at 1x, the same size as an iPhone, or at 2x which reduces the quality of the to fill the screen.
Instagram seems to make it much easier to post a badly lit over processed selfie then your good work.
Well I’m glad I got that off my chest. And BTW my here is link to my Instagram account.
For those of you wondering how I publish directly from Lightroom to the Google Drive here is how I’ve got things set up in Lightroom’s Publishing Manager.
To get better at your photography you need to shot a lot, process a lot, and analyze your images a lot. At one time I would have been proud of this wine bottle image. But as I grow and learn I find things that didn’t work out on this image. By analyzing your images you work towards making stronger images. You also learn things about how you see and teach yourself to see better.
So what is wrong with this image?
I do get a pat on the back for having a pretty clean subject. I cleaned off all the finger prints before shooting.
Shot with:
Fujifilm X-T2 Buy Here
Watch this video by photographer Valerie Jardin this is 4 minutes 37 seconds of images she has shot of people smiling. Ms Jardin has excellent photography skills and is worth a follow, and her work reminds me (a should you to) that you can never make too many images. Get out and shoot.